Oil Painting El de la rollona 1 from Francisco de Goya - Buy Hand Painted Oil Reproduction

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Oil Painting Murió la Verdad from Francisco de Goya - Buy Hand Painted Oil Reproduction

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Oil Painting Pepito Costa y Bonells from Francisco de Goya - Buy Hand Painted Oil Reproduction

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Oil Painting "Atropos (Atropos or Fate)" from Francisco de Goya - Buy Hand Painted Oil Reproduction

Atropos or The Fates (Spanish: Átropos or Las Parcas) is one of the 14 black paintings painted by Francisco de Goya between 1819-23. Goya was then 75 and in mental and physical despair created the series directly onto the interior walls of the house known as The House of the Deaf Man (Quinta del Sordo) purchased in 1819. It probably occupied a position on the second floor of the house beside the Fight with Cudgels and across from the Fantastic Vision. Like the rest of the black paintings it was transferred to canvas in 1873-74 under the supervision of Salvador Martínez Cubells a curator at the Museo del Prado. The owner Baron Emile d Erlanger donated the canvases to the Spanish state in 1881 and they are now on display at the Prado.

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Oil Painting "The Clothed Maja (La Maja Vestida)" from Francisco de Goya - Buy Hand Painted Oil Reproduction

La maja vestida is a painting by Spanish painter Francisco de Goya between 1798 and 1805. It is a clothed version of La maja desnuda and is exhibited next to it in the same room at the Prado Museum in Madrid. The painting which was first owned by Prime Minister Manuel de Godoy who was known as an avid womanizer was originally hung in his home in front of the naked maja in a way that the naked maja could be revealed at any time with the help of a pulley mechanism. During the Spanish Inquisition the painting was stolen. It was held twice at the Royal Academy of Fine Arts of San Fernando and is now held in the Museo del Prado since 1901.

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Oil Painting "The Third of May 1808 The Execution of the Defenders of Madrid" from Francisco de Goya - Buy Hand Painted Oil Reproduction

The Third of May 1808 (also known as El tres de mayo de 1808 en Madrid or Los fusilamientos de la montaña del Príncipe Pío or Los fusilamientos del tres de mayo) is a painting completed in 1814 by the Spanish painter Francisco Goya now in the Museo del Prado Madrid. In the work Goya sought to commemorate Spanish resistance to Napoleon s armies during the occupation of 1808. Along with its companion piece of the same size The Second of May 1808 (or The Charge of the Mamelukes) it was commissioned by the provisional government of Spain at Goya s suggestion. The painting s content presentation and emotional force secure its status as a groundbreaking archetypal image of the horrors of war. Although it draws on many sources from both high and popular art The Third of May 1808 marks a clear break from convention. Diverging from the traditions of Christian art and traditional depictions of war it has no distinct precedent and is acknowledged as one of the first paintings of the modern era. According to the art historian Kenneth Clark The Third of May 1808 is the first great picture which can be called revolutionary in every sense of the word in style in subject and in intention .

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Oil Painting "A Prison Scene" from Francisco de Goya - Buy Hand Painted Oil Reproduction

Prison Interior (Spanish: Interior de cárcel) is an oil on canvas painting completed by the Spanish artist Francisco Goya (1746–1828) between 1793-94. The painting is bathed in a dim cold light which gives it look feeling of purgatory. It is one of a number of works the artist made of scenes set in lunatic asylums including Yard with Lunatics (1793–1794) and The Madhouse (1812-1813). These works were painted at a time when mad-houses were holes in the social surface small dumps into which the psychotic could be thrown without the smallest attempt to discover classify or treat the nature of their illness. Goya often feared for his own sanity a fact which underscores these works with feelings of dread

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Oil Painting "The Second of May 1808 at the Puerta del Sol" from Francisco de Goya - Buy Hand Painted Oil Reproduction

The Second of May 1808 also known as The Charge of the Mamelukes is a painting by the Spanish master Francisco de Goya. It is a companion to the painting The Third of May 1808. The painting depicts a scene during the May 2nd Uprising in Madrid at the Calle de Alcalá near Puerta del Sol. Painted in 1814 in the space of two months today both are displayed in Madrid s Museo del Prado.

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Oil Painting "Portrait of the Countess of Chinch n" from Francisco de Goya - Buy Hand Painted Oil Reproduction

The Condesa de Chinchón (the Countess of Chinchón ) was painted by Francisco Goya about 1800 and is held in the Museo del Prado Madrid. The painting depicts María Teresa de Borbón 15th Countess of Chinchón who had been encouraged by Queen Maria Luisa of Parma and by opportunism to marry Manuel de Godoy the Prime Minister in a marriage of convenience.

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Oil Painting "Saturn Devouring One of His Chidren" from Francisco de Goya - Buy Hand Painted Oil Reproduction

Saturn Devouring His Son is the name given to a painting by Spanish artist Francisco Goya. It depicts the Greek myth of the Titan Cronus (in the title Romanised to Saturn) who fearing that his children would overthrow him ate each one upon their birth. It is one of the series of Black Paintings that Goya painted directly onto the walls of his house sometime between 1819 and 1823. The work was transferred to canvas after Goya s death and now resides in the Museo del Prado in Madrid

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Oil Painting "The Parasol" from Francisco de Goya - Buy Hand Painted Oil Reproduction

The Parasol (also known as El Quitasol) is one of a cartoon series of oil on linen paintings made by the painter Francisco Goya. This series of paintings was specifically made in order to be transformed into tapestries that would be hung on the walls of the Royal Palace of El Pardo in Madrid Spain. The tapestries showed serene events in everyday life which make them a nice addition to the dining room of Prince and Princess of Asturias—the future King Charles IV and Maria Luisa of Parma. The queen called on Goya because she wanted to decorate the dining room with cheerful scenes The Parasol and the other tapestry paintings were Goya s response to this request. The painting is currently located in the Museo del Prado in Madrid as is another in the series Blind man s bluff.

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Oil Painting "The Nude Maja (La Maja Desnuda)" from Francisco de Goya - Buy Hand Painted Oil Reproduction

The Nude Maja (La Maja Desnuda) (known in English as The Naked (or Nude) Maja) is an oil on canvas painting by the Spanish painter Francisco Goya (1746–1828) portraying a nude woman reclining on a bed of pillows. It was executed some time between 1797 and 1800 and is sometimes said to be the first clear depiction of female pubic hair in a large Western painting. The painting has been in the Museo del Prado in Madrid since 1910.

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Oil Painting "The Yard of Madhouse" from Francisco de Goya - Buy Hand Painted Oil Reproduction

The Yard of Madhouse (Spanish: Corral de locos) is a small oil-on-tinplate painting completed by the Spanish artist Francisco Goya between 1793 and 1794. Goya said that the painting was informed by scenes of institutions he witnessed as a youth in Zaragoza. It has been described as a somber vision of human bodies without human reason and as one of Goya s deeply disturbing visions of sadism and suffering. [3] The painting had been absent from public view since a private sale in 1922 today it is housed in the Meadows Museum in Dallas having been donated by Algur H. Meadows in 1967.

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Oil Painting "The Sleep of Reason Produces Monsters" from Francisco de Goya - Buy Hand Painted Oil Reproduction

The Sleep of Reason Produces Monsters (Spanish:El sueño de la razón produce monstruos ) is an etching made by the Spanish painter and printmaker Francisco José de Goya y Lucientes. Etched between 1797–1799 it is plate 43 of the 80 etchings comprising the Los Caprichos series and was initially intended to be the frontispiece. It consists of a self-portrait of the artist with his head on a table as owls and bats surround him assailing him as he buries his head into his arms. Seemingly poised to attack the artist are owls (symbols of folly) and bats (symbols of ignorance). The viewer might read this as a portrayal of what emerges when reason is suppressed and therefore as an espousal of Enlightenment ideals. However it also can be interpreted as Goya s commitment to the creative process and the Romantic spirit—the unleashing of imagination emotions and even nightmares. Arguably the most famous plate of the series it has gone on to become an iconic image with its title often being quoted from Goya.

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Oil Painting "The Colossus" from Francisco de Goya - Buy Hand Painted Oil Reproduction

The Colossus (also known as Giant) (Spanish: El Coloso) is a painting at one time attributed to Francisco de Goya but now believed to have been painted by an apprentice probably Asensio Juliá. In January 2009 the Museo del Prado reported that an investigation of the painting s authorship had proved inconclusive: The findings to this date do not confirm that the author was Juliá the painting can only be attributed to a follower of Goya . The Colossus was painted between 1808 and 1812. It is possible that it is the painting identified as The Giant in the inventory of Goya s goods in 1812 the year in which they became the property of his son Javier Goya. Later it was owned by Pedro Fernández Durán who passed his collection onto the Museo del Prado where The Colossus has been kept since 1931. The work has been interpreted in many ways having received other names including The Panic and The Storm.

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Oil Painting "Leandro Fernendez de Moratin" from Francisco de Goya - Buy Hand Pinted Oil Reproduction

Leandro Fernendez de Moratin a painting by Spanish artist Francisco de Goya in 1824. Now in the collection of the Museo de Bellas Artes Bilbao Spain

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